Summer Inspiration: Hearst Castle

News flash: yesterday was my five-year blogiversary! The moment may have been an invisible blip to the whirl of the internet, but it was a significant moment for me. It meant that five years ago, fresh out of college, full of dreams and determination, I gathered my courage, faith, and naivete and put up my first blog post. It’s embarrassing and awkward to me now, but I firmly believe that each leap of courage and faith makes possible other, bigger leaps down the road. So hooray for five years of blogging! Thanks for your participation in this small internet living room over the years.

Now for a fourth installment of summer inspiration: a fun, whirlwind girls’ weekend trip to Hearst Castle with my mom, aunt, and cousin.IMG_2991

I’d been to Hearst Castle once as a teenager, and I remember collecting story ideas there for my very first novel. That high school novel ended up in the proverbial drawer, but it taught me that inspiration can be found in all sorts of places. Visiting it a second time, more than ten years later, brought me different inspiration, but inspiration all the same.

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Not all the rooms were equally inspiring. Of course I had to see the library. But while it was impressive, I didn’t fall in love with it. For one, the books were behind metal cages. For two, if you had basically all the money in the world and a hilltop with an ocean view, why would you build a dark-wood library with hardly any dedicated window space? I would have made the room almost entirely out of glass. Okay, with curtains to protect the books from direct sunlight.

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Similarly, some of the decor left me with mixed feelings. These lampshades, for instance. They’re made out of old vellum pages–music, in this case. While that’s incredibly awesome on one level (BOOK lampshades, yes!), another part of me cringes. Who would take apart a beautiful book, probably quite old, and make lampshades out of the pages? It’s like making furniture out of body parts. Really conflicted about this one. 20160723_115704On the other hand, some parts of the house were breathtaking and loaded with writing inspiration. For instance, the matching “Celestial Suites” at the top of the Castle’s twin bell towers. Got that? Bedrooms at the top of bell towers. Already awesome. But to make it even better, their Moorish-inspired design allowed the lamplight from inside to compete with daylight flooding in through the lace-like symmetrical perforations in the walls. The room was full of light. One guest said it was like “sleeping in a jewel box.” I wrote that down in my idea notebook. We even got to hear the bells ringing as we started down the stairs.
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Probably my favorite sight of the tour, though, was the Roman Pool. A cool, dim, indoor room entirely covered with blue-and-gold tiles, it’s a magical play of light, reflections, and symmetry. On the hot day of our visit, I could just imagine a dip in those quiet, deep-blue waters, where the tiles below the water compete with the reflection of the ceiling. It was hard to tell what was real and what was a mirror image. Also, I kind of have this thing for blue and gold.

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This California landmark brings on a swirl of mixed feelings. The Castle is an architectural marvel and also a display of opulent self-indulgence; it’s an amazing art museum and also an exhibition of mishandled historical treasures (case in point: lampshades). But whatever else it is, it’s certainly a feast for the senses. Which, for a writer, is a pretty great find.

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All in all, it was a lovely weekend, with some great family time and amazing sights (like this beautiful sunset in Cambria). And I collected some inspiration to take home with me.

Summer Inspiration: Chihuly Garden and Glass

Travel is one of my biggest sources of writing inspiration. I don’t always go as far or as often as I’d like, but inspiration can be found even in the most unexpected of places. Although I was generally collecting ideas for Book 4 this July, I didn’t realize I’d find them in Seattle when I visited relatives and college friends. In 2012, a new museum called Chihuly Garden and Glass opened (showcasing the work of glass artist Dale Chihuly), and knowing how much I love art and museums, it seemed like a good sightseeing option.

Boy, was that an underestimation.

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This was one of the most spectacular museums–no, places–I’ve ever been. I didn’t know what to expect from a museum full of glass artworks. It turned out to be transcendent.

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Words don’t do it justice. The glass itself was eye-popping, but the arrangements and lighting created perfect harmonies, like music, like poetry. There was an ocean-themed room, a Native American-themed room, and a garden of whimsical shapes that felt like something from Willy Wonka’s factory. I couldn’t take story notes fast enough.

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There were boats loaded with glass spheres that looked like planets, resting serenely on a black mirror that doubled their images.

20160710_153342There was a handmade glasshouse with a spiral of fiery glass flowers. It’s incredible how such a piece can weigh thousands of pounds, yet create the illusion of weightless fragility.
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You could see the Space Needle through the walls of the glasshouse!20160710_152759There was an outdoor garden where natural plants grew among glass pieces, the beds of flowers and glass grouped by color.

But my favorite was the rainbow room.
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Glass shapes, again both ponderously heavy and effortlessly delicate, layered a glass ceiling. Lights shining through them created water-like reflections on the walls. I almost burst into tears from so much beauty. The people beneath–even the selfie-taking tourists–turned beautiful in the rainbow light.

20160710_160033It was pure magic. I have a feeling you’ll be seeing some of these inspirations in a book.

 

Good Books & Good Friends: The Bay Area Kids’ Book Fair

Woohoo! The 2nd edition of The Illuminator’s Gift is now live on Amazon! The old cover may still appear on the Amazon preview, but if you order the paperback or e-book now, you’ll get the beautiful 2nd-edition cover as well as all the new features inside, including a new map and classroom-ready discussion questions and project ideas. Yay!

In other news, last Saturday I had a booth at the Bay Area Kids’ Book Fair in Sunnyvale, CA. In one action-packed day, lots of things happened.

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First of all, my mom and I set up this snazzy booth in less than 45 minutes! Yay us!

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My wonderful teacher friends Jordan and Annie stopped by to hang out and see what I really do in my secret author life. Thanks for coming, guys!

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I also got to meet this amazing young lady. She couldn’t wait for her class to finish reading The Illuminator’s Gift and The Illuminator’s Test, so she got her own copies (promising, of course, not to spoil the endings for her class). After finishing the books, she drew this incredible illumination!

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Isn’t she talented? She gave me the drawing, which is now proudly displayed in my office.

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Speaking of talented artists, my mom did hand painting with designs from The Voyages of the Legend. All day long, kids begged her for vines of roses, compasses, and shiny double-colored lightning bolts. She’s the best.
And because I can’t ever leave a book event without buying a book, I met Aaron Safronoff and his team at Neoglyphic Entertainment and bought Sunborn Rising: Beneath the Fall. It’s a fascinating young adult novel with both black-and-white illustrations and full-spread, full-color illustrations–almost like a hybrid novel/graphic novel. Neoglyphic has spun it off into a video game as well. I’m always really interested in cross-genre projects, so it piqued my interest. Technically the book doesn’t release until April 27th, so I got an early AND signed copy! Next week you can find it on Amazon

So many lovely people and lovely books, all in one short day. And now, because I have used up all my introvert superpowers for the moment, I shall be in hiding for the next few days…getting Book 3 ready for you to read, of course!

How Writing Works (Or: Practicing and Paying Attention)

On this lovely April day, I’m pleased to say I’ve committed the first several thousand words of the third book of The Voyages of the Legend to paper! After several months of collecting images, building a writing playlist, and preparing my outline, I’ve at last begun to write words down.

And it’s been a bumpy couple of weeks. Finishing The Illuminator’s Test last December was like cresting a steep mountain trail, full of exhaustion and accomplishment. Starting the third book was like finding myself back at the bottom again. It’s intimidating to try to compete with your past work. I’d gotten rusty. And sequels are hard: it’s a challenge to work with the same world and characters, but pit them against new challenges and even higher stakes.

My first attempt at an opening paragraph was so bad I was discouraged for two days.  The second attempt was better, but still extremely lackluster. Now, on my third go-around, I’m finally striking a pace and tone that I enjoy. And already the characters are beginning to spring surprises on me.

Getting back into the rhythms of writing has me thinking about what writing is made of, what it is. Pick up almost any how-to book on writing, and you’d think writing is a checklist that just takes practice and willpower. But I also think there’s something more. Writing is both a craft and an art.

The internet is saturated with books, webinars, articles, etc. on the craft of writing a book: the nuts and bolts of what goes into a story. Some of them are quite good. I’ve been to a number of classes, conferences, and critique groups that have helped push my writing to a higher level. It’s important to learn the nuts and bolts of wrangling good sentences out of the English language (or at least asking her respectfully for them). And it’s very helpful to study the works of other writers and learn by imitation. I work intensively with my students as they learn the craft of writing: paragraphs, similes, research, punctuation, character profiles. This part is work, and it can and must be learned by instruction and labor-intensive practice. With enough practice, it is possible to achieve a level of excellence in the craft of writing.

But writing is also an art, like painting, like music. And art is a gift. To write well is not only to work and create; it is also to receive. For me, starting to write again is learning again to be open to that gift: taking time to slow down, to be still, to listen, to be in the dance with God. For writing to be anything more than an underpaid day job, a meaningless clacking of fingers on keys, it must be sourced from something greater. That means that being a healthy person is part of good writing. That means that taking time to absorb and appreciate beauty is part of good writing. None of the small moments of life are wasted if seen with eyes of attention. It’s an attitude of cultivating readiness to meet inspiration. In short, living is writing, and writing is living.

I’ve created a new writing space in my office that, I think, reflects this pairing of practicing and paying attention. It’s businesslike enough for all-day scribbling sprints, yet it’s also right next to a window that looks out on the reflective world.

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…And now I’m going back to write there.

2014 World Literacy Project

Happy Halloween World Literacy Project Day!

For some reason, my family has never really carved jack-o-lanterns. We’ve historically painted our pumpkins–probably because my family members have so much rampant artistic talent.

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This is my mother’s pumpkin from 2012. A hobbit hole, complete with smoke in the chimney. No pressure.

But being a writer isn’t much help when it comes to decorating pumpkins. Or at least, not until 2012, when I decided to forget about keeping up with my family and put words on my pumpkin.

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Year 1 of the World Literacy Project: The Highwayman

I called it the World Literacy Project: simultaneously embracing writerliness and offering all those cute trick-or-treaters a healthy dose of literary education. Good deal, right?

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2013 World Literacy Project: The Raven

Well, something a little bit special happened in my life this year. So I found a gold pen and imitated the style of a designer I admire very much. The 2014 World Literacy Project now features an illuminated pumpkin.

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Anybody want to guess where they’ve heard these words before? Add a comment if you think you know!

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Improving world literacy, one pumpkin at a time!

California Bookstore Day

Last Saturday was California Bookstore Day–a statewide day of celebrating books and the independent shops that create warm, welcoming community spaces for them.

Better than Christmas, right?

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Photo credit: Rebecca Hillmann/The Eclectic Illustrator

My friend and cover illustrator, Amalia Hillmann, and I spent the day glorying in the adorable children’s nook at Village House of Books. My book’s original cover art was displayed by a window, where the warm light made the gold paint shimmer and sparkle. One of the other visiting authors said it was like “a window into another world.”

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Photo credit: Rebecca Hillmann/The Eclectic Illustrator

We signed copies for some brilliant young readers and got to chat about the process of writing, illustrating, and publishing a book.

Not going to lie: seeing The Illuminator’s Gift on display beside a wall of books including The Giving Tree and If You Give A Mouse A Cookie was a lifelong dream come true.

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Photo credit: Rebecca Hillmann/The Eclectic Illustrator

One of the highlights of the day for me was getting to meet some amazing local authors. A.R. Silverberry, author of the young adult fantasy Wyndano’s Cloak, and I became book friends as we signed copies for each other.

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Photo credit: Rebecca Hillmann/The Eclectic Illustrator

Laughter about fan comments, incriminating book research, and mundane day jobs was interspersed with tips about contracts, cover art, and professional organizations. Though I was the youngest author there, everyone (including shop owners Steve and Cheryl Hare and author liaison Lloyd Russell) made me feel like part of a literary tribe. We’re all just trying to follow the passion that’s been placed within us (and not end up living in cardboard boxes).

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L-R: New friends A.R. Silverberry, Amalia Hillmann, me, Hannah Jayne, and Erica Goss with our books! Photo credit: Rebecca Hillmann/The Eclectic Illustrator

By the end of the day, I was exhausted, but honored to be welcomed into such a smart, quirky, fun book family. I look forward to introducing you to some of these wonderful people via blog interviews this summer!

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My book haul at the end of the day

And of course, a day spent in a bookstore meant I couldn’t come home without books! My dollars ran out before my book cravings did, but I still managed to secure copies of Hannah Jayne’s Under the Gun, Vibrant Words by Erica Goss, Wyndano’s Cloak by A.R. Silverberry, and Mom*Me by Jennifer Castro. All signed, of course. Plus a cheery yellow book bag from Village House of Books.

Now I just need to find more time to read.

 

I’m THRILLED to announce that I’ll be back at Village House of Books for a TIG-specific book party this summer! More details to come, but mark your calendars for the evening of Thursday, July 10th! 

 

Refreshing Creativity

Don’t forget: tomorrow, May 3rd, is California Bookstore Day! Come visit illustrator Amalia Hillmann and me from 10-12 at Village House of Books!

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This adorable nook is located at 326 Village Lane, Los Gatos 95030. Free parking can be found off Bachman Avenue.

There will be book signings, food, balloons for the kids, and a chance to see the original Illuminator’s Gift artwork! It’s also a great chance to show support for a local independent bookshop. Downtown Los Gatos is a fun and walkable community, so stop by VHB, then keep wandering! 

A day of writers + artists + independent booksellers will = a lot of creativity.

Which leads me to poet John Donne’s famous line, “No man is an island.” (Or woman, for that matter.)

Especially not a creative man or woman.

Much of creative work is solitary in nature–writing, painting, sculpting, knitting, composing. I actually really enjoy this aspect. Too much time with people can wear me out.

But not enough can wear me out, too.

I’ve lately been encouraged by meeting with a few other creative friends. Last Friday we got together for dinner and a chance to collectively discuss/pursue our endeavors.

Creative Night 2

A calligraphy artist, a painter, a video game designer, a knitwear designer, and a writer sat around a table, ate cookies, talked about canvas stretching and fountain pen brands, made geeky jokes, and occasionally fell silent to be productive.

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Photo credit: Juliet Nicklin

It was such a fun and inspiring night that I wrote a haiku about it:

Creative Night

Swish of pencils, click

of needles, tick of pages–

nerdy artist friends.

Sometimes, it’s other people who refresh our own creativity.

Five Reasons I Love Self-Publishing

With my book, The Illuminator’s Gift, releasing on Amazon in just 9 days, I’m almost done with this whirlwind publishing process. Not much time to sit back and relax yet, but it does give me pause to ask myself: is the self-publishing journey worth it?

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A sneak peek at the book cover! Credit: Amalia Hillmann

Though the process isn’t yet finished, I’d say quite confidently, yesHere are five reasons I’m happy (so far) with the decision to self-publish:

1. I like a job where I get to wear a lot of hats. As you may know, when I was in kindergarten, I wanted to grow up to be EVERYTHING. Little did I know that I’d get my wish. Since jumping into self-publishing, I’ve gotten to dabble in tax and copyright law and dabble in typography, write contracts and write PR materials, learn the difference between a domain name and a web host and learn the difference between watercolor and acrylic paint. I’ve found myself good at some of these things and bad at others, but it’s all an adventure.

2. It’s been a real blessing and privilege to work with friends instead of New York businesspeople (nothing against them). And this is not only because it’s nice to have a say in the final look and feel of my book. It’s also nice to take breaks from spacing ellipses and evaluating thumbnails to chat about church, relationships, travels. To compare coffee flavors and car gas mileage. To make excited noises about the beauty we’re co-creating. To work alongside other young creatives looking for a place to penetrate the forest canopy.

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Credit: Amalia Hillmann

3. Going to “the publishing house” in my pajamas is a pretty cushy perk! Especially when I contract a very obnoxious illness just weeks before the release date.

4. I’m watching myself develop new traits, from learning the art of the diplomatic e-mail, to accurately budgeting time and money, to negotiating mutually beneficial agreements, to multitasking effectively, to making important decisions without dwelling or worrying. Some of these new skills go against my natural grain. But self-publishing a book that’s very close to my heart has given me the necessary push to face some fears and grow up a little more.

5. On December 2nd, I plan to be viewing my published book on Amazon.com. With a traditional publisher, my five-years-in-the-making manuscript could have waited an additional year or more to see the light of day. Publishing a book in seven weeks is definitely not something I recommend trying at home or plan on repeating, but with self-publishing, it can be done. All the concentrated labor and anguish will be over very soon, and it will be worth it to hold that sweet, 6×9 rectangle of paper and fresh ink in my hands. 

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Credit: Amalia Hillmann

The Illuminator’s Gift will be available on Amazon.com December 2nd! In the meanwhile, I’d be delighted to have you sign up for my e-mail newsletter, like my Facebook page, or follow on Twitter using the buttons in the right sidebar 🙂